Parthenos

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The epithet “Parthenos” for Athena is one of her most famous and significant titles in ancient Greek mythology. The word “Parthenos” translates to “virgin” or “maiden,” and it emphasizes the goddess’s purity, chastity, and autonomy. Athena was often referred to as “Athena Parthenos” to highlight her status as a virgin goddess, who, unlike many other deities, did not engage in romantic or sexual relationships. This epithet reinforced her role as a protector of cities, wisdom, and strategic warfare, standing in contrast to the more commonly sexualized aspects of other gods in the Greek pantheon.

The title “Parthenos” was not only a descriptor of her personal attributes but also underscored Athena’s role as a goddess who stood apart from the familial and reproductive aspects of life. This made her a symbol of rationality, intellect, and virginity in a society that valued both military prowess and wisdom. Athena’s virginity also aligned with her role as a protector of the city (polis) and a guardian of the state, as the virgin goddess was believed to be impartial and not swayed by personal emotions or relationships.

The most famous representation of Athena as “Parthenos” is the monumental statue created by the sculptor Phidias, known as the Athena Parthenos. This statue, which was housed in the Parthenon on the Acropolis of Athens, was one of the greatest achievements of classical Greek art. Standing nearly 12 meters tall, the statue depicted Athena in full armor, holding a statue of Nike, the goddess of victory, in her right hand, symbolizing her victory and power. The Parthenos epithet, tied to both the goddess’s divine characteristics and the iconic statue, helped to reinforce the sanctity and purity associated with Athena’s nature.

In the context of religious practices, Athena Parthenos was central to Athenian identity, and the Parthenon itself, dedicated to her, was a place of worship where Athenians celebrated her role as a protector of the city. The Panathenaic Festival, which was held in her honor, featured grand processions and sacrifices, reinforcing her importance not only as a warrior goddess but also as a civic and intellectual figure.


Athena | Green | Helmet | Nike | Parthenos | Shield | Snake | Spear
Attica, Athens
Pseudo-autonomous
Time of Gallienus 264-267 CE
Ae 21.89mm 5.14g
Obverse: Head of Athena right, wearing crested Corinthian helmet
Reverse: AΘHNAIΩN, Athena Parthenos standing left, holding Nike and resting hand on grounded shield and spear, snake left at feet
Svoronos Plate 87, 12; Imhoof-Blumer+Gardner Y, XX

Athena | Bukranion | Parthenos | Wolf
Thessaly, Phaloria
Circa 302-286 BCE
Æ 5.94g, 19mm, 4h
Helmeted head of Athena Parthenos facing, turned slightly to left
Wolf at bay to right; bukranion below, [ΦΑΛΩ- ΡΙΑΣΤΑΝ] above and below.
Rogers 460; BCD Thessaly II 597; HGC 4, 597
Ex Roma 2020
Ex Roma 2023

Artemis | Bow | Bull | Butting | Club | Parthenos | Stag
Bosporos, Tauric Chersonesus
ca 300-290 BCE
Artemis Parthenos running left, holding bow in left hand and spearing fallen stag.
Rev: ΚΛΕΜΥΤΑΔΑ. Bull butting left over club.
21mm, 6.86g
SNG Stancomb 481
ex-Rudolf Hoesch (1904-1990) collection
bought from M&M AG Basel in 1955