Necklace

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Necklaces were a significant form of personal adornment, worn by both men and women, though they were particularly popular among women and deities in artistic depictions. Necklaces were crafted with great artistry, and the materials used varied depending on the wealth and status of the wearer. These ornaments often served not only as decorations but also as symbols of social status, religious devotion, and cultural identity. The artistry of ancient Greek necklaces was deeply intertwined with their sophisticated understanding of materials, craftsmanship, and design, which combined both functional and aesthetic elements.

The materials used in ancient Greek necklaces reflected the sophistication of their society. Gold was the most prized material, valued for its rarity and association with wealth and the divine. Silver and bronze were also common, especially for less affluent individuals, while precious stones such as amber, pearls, and coral were often used for decorative purposes. These materials were skillfully worked by Greek jewelers, who employed techniques like casting, engraving, and filigree work to create intricate designs. Gold leaf, wire weaving, and beadwork were often incorporated, adding texture and complexity to the pieces. Necklaces could feature detailed pendants, amulets, or charms, many of which were intended to serve as protective symbols or signs of devotion.

Necklaces in ancient Greece were often imbued with symbolic meaning, particularly in religious and funerary contexts. One of the most common motifs found on Greek necklaces was the pendant shaped like the Gorgoneion, a head of the Gorgon, often associated with the myth of Medusa. This symbol was believed to have protective qualities, warding off evil and offering the wearer spiritual defense. Aphrodite, the goddess of love, was often depicted wearing elaborate jewelry, including necklaces, reflecting both her divine nature and the beauty of the form. Women, especially those of higher social standing, would wear necklaces to show their devotion to the gods, especially during religious festivals or rites of passage like marriages and dedications.

Agathokles of Syracuse 317-289 BCE
Artemis | Earring | Necklace | Quiver | Thunderbolt
Sicily, Syracuse. Agathokles
Period 4, circa 295 BCE
Æ Litra 23mm, 8.35 gm, 1h
ΣΩTEIΡA, head of Artemis Soteria right, wearing triple-pendant earring and necklace, quiver over shoulder / AΓAΘOKΛEOΣ BAΣIΛEOS, winged thunderbolt.
Calciati II pg. 279, 142/25; SNG ANS 708; Favorito 34
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