Necklace

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Necklaces were a significant form of personal adornment, worn by both men and women, though they were particularly popular among women and deities in artistic depictions. Necklaces were crafted with great artistry, and the materials used varied depending on the wealth and status of the wearer. These ornaments often served not only as decorations but also as symbols of social status, religious devotion, and cultural identity. The artistry of ancient Greek necklaces was deeply intertwined with their sophisticated understanding of materials, craftsmanship, and design, which combined both functional and aesthetic elements.

The materials used in ancient Greek necklaces reflected the sophistication of their society. Gold was the most prized material, valued for its rarity and association with wealth and the divine. Silver and bronze were also common, especially for less affluent individuals, while precious stones such as amber, pearls, and coral were often used for decorative purposes. These materials were skillfully worked by Greek jewelers, who employed techniques like casting, engraving, and filigree work to create intricate designs. Gold leaf, wire weaving, and beadwork were often incorporated, adding texture and complexity to the pieces. Necklaces could feature detailed pendants, amulets, or charms, many of which were intended to serve as protective symbols or signs of devotion.

Necklaces in ancient Greece were often imbued with symbolic meaning, particularly in religious and funerary contexts. One of the most common motifs found on Greek necklaces was the pendant shaped like the Gorgoneion, a head of the Gorgon, often associated with the myth of Medusa. This symbol was believed to have protective qualities, warding off evil and offering the wearer spiritual defense. Aphrodite, the goddess of love, was often depicted wearing elaborate jewelry, including necklaces, reflecting both her divine nature and the beauty of the form. Women, especially those of higher social standing, would wear necklaces to show their devotion to the gods, especially during religious festivals or rites of passage like marriages and dedications.

Abdasan, 360-330 BCE
Aphlaston | Aramaic | Dolphin | Drachm | Eagle | Earring | Necklace | Nymph | Sakkos
Persian satrap Abdasan
Paphlagonia, Sinope
circa 360-330 BCE
AR Drachm 20mm, 5.09g. 9h
Head of nymph Sinope left, wearing triple-pendant earring, necklace and sakkos; aphlaston before /
Aramaic legend ‘BDSSN below eagle standing to left on dolphin.
SNG Stancomb 760; Recueil général Pl XXIV, 27; SNG BM Black Sea 1356-8; HGC 7, 433
Abdasan, 360-330 BCE
Abdasan, 360-330 BCE
Agathokles of Syracuse 317-289 BCE
Agathokles of Syracuse 317-289 BCE
Aigiospotamoi, Thrace 4th cen BCE
Aigiospotamoi, Thrace 4th cen BCE
Andragoras 246-238 BCE
Andragoras 246-238 BCE
Ariarathes I 325 BCE
Ariarathes I 325 BCE
Balakros 333-323 BCE
Balakros 333-323 BCE
Boione, Aeolis 4th century BCE
Boione, Aeolis 4th century BCE
Eleutheria, Mysia 4th century BCE
Eleutheria, Mysia 4th century BCE
Ephesos, Ionia 375-325 BCE
Ephesos, Ionia 375-325 BCE
Helena 327-329 CE
Helena 327-329 CE
Histaia, Euboia 338-304 BCE
Histaia, Euboia 338-304 BCE
Kardia, Chersonese 350-309 BCE
Kardia, Chersonese 350-309 BCE
Menainon, Sicily 275-212 BCE
Menainon, Sicily 275-212 BCE
Priansos, Crete 320-270 BCE
Priansos, Crete 320-270 BCE
Sabakes 340-333 BCE
Sabakes 340-333 BCE
Samos, Ionia 408-380 BCE
Samos, Ionia 408-380 BCE
Sophytes 323-240 BCE
Sophytes 323-240 BCE