Quadriga

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The quadriga was a four-horse chariot used in ancient Greece and Rome, and it held both practical and symbolic significance in these cultures. The word quadriga comes from Latin, where “quadri-” means four and “-ga” refers to a chariot or vehicle. The quadriga was the most prestigious type of chariot used in races, particularly in the context of public games, such as the chariot races at the ancient Olympic Games, Roman circuses, and other festivals.

In terms of design, the quadriga was a chariot drawn by four horses arranged in a line, often with two horses pulling from the front and two from the back. The charioteer would stand on a platform in the middle, controlling the horses with reins. The quadriga was a highly technical vehicle, demanding skill and precision from its driver, who had to maneuver the four horses at high speed while maintaining control and avoiding obstacles. These chariot races were dangerous, and accidents were common, but the victories in these events were considered glorious achievements.

In both Greek and Roman cultures, the quadriga became symbolic of victory and triumph. A victorious charioteer was often awarded a wreath or crown, and the quadriga was featured in a wide variety of art and public monuments, including coins, sculptures, and reliefs. The image of a quadriga was also associated with divine triumph and power, especially in Rome. The most famous example of this is the Quadriga of Apollo, depicted on the Temple of Apollo at Delphi and used as a symbol of the god’s role in guiding the chariot of the Sun across the sky. In Roman imperial art, the quadriga was frequently used to represent the emperor’s military and political victories.

The quadriga also played a role in religious and symbolic rituals. In Rome, for example, the quadriga was often employed in triumphal processions following a general’s victory in battle. The victorious general would ride in a quadriga, symbolizing his dominance and the favor of the gods.

Antoninus Pius 159 CE
Denarius | Portrait | Quadriga | Statue | Temple | Victory
Antoninus Pius, 138-161 CE
Stuck 159 CE
AR Denarius 17mm, 3.19g, 6h
Laureate head r.
Rev. TEMPLVM DIV AVG REST Octastyle temple, within which are the seated figures of Divus Augustus and Livia. Temple surmounted by quadriga; figures in pediment; Victories on angles; statue on base in front of temple at each corner. In ex., COS IIII
RIC 290a. C 804
Ex Akropolis Coins
  • Antoninus Pius 159 CE
    Antoninus Pius 159 CE
  • Diva Faustina Sr 146 CE
    Diva Faustina Sr 146 CE
  • Seleukos I Nikator 296-281 BCE
    Seleukos I Nikator 296-281 BCE
  • Tralleis, Lydia 300-200 BCE
    Tralleis, Lydia 300-200 BCE