Prow

View All Tags


The prows of ancient ships were not only crucial for the vessel’s functionality, but they also played a significant role in maritime symbolism and art. In the context of ancient Greek and Roman seafaring, the prow was the forward part of the ship, designed to cut through the water and direct the vessel’s movement. It was often decorated with elaborate carvings and figures, which served both an aesthetic and a symbolic purpose. These decorations were typically intended to invoke protection, favor, or divine guidance for the sailors during their voyages. In many cases, a figurehead or symbolic motif, such as a deity, animal, or mythological character, was placed on the prow to convey these messages.

In ancient Greece, the design of the ship’s prow was an integral part of its naval identity. Warships, especially the famous triremes, had their prows outfitted with a prominent bronze ram, a sharp, reinforced projection at the bow. This was a weapon designed to puncture and damage enemy ships during naval battles. The shape and effectiveness of the ram were critical in ensuring that the ship could engage in close combat and disrupt the opposing fleet. Such ships were central to the naval prowess of ancient Athens, and the ram became emblematic of the city’s maritime strength.

For Greek and Roman merchant ships, the prow’s role was more functional, designed for efficient travel rather than combat. However, even these vessels sometimes featured ornate carvings or inscriptions on their prows, reflecting the importance of the ship to its owners and passengers. For example, a merchant ship might have the name of its owner or the vessel’s origin inscribed, and the prow could be adorned with protective symbols or the image of a sea god like Poseidon or Neptune. In some cases, the decorations on the prow would highlight the ship’s status, with larger, more elaborate prows seen on ships of greater wealth or importance.

The symbolism of the prow extended into the mythological and religious realms. Many ships in Greek and Roman antiquity were believed to be blessed by gods, and the prow served as a visible point of connection between the human and divine realms.

Claudius Gauthicus 268-270 CE
Annona | Antoninianus | Corn Ear | Cornucopiae | Cuirassed | Portrait | Prow
Claudius II (Gothicus)
Rome 268-270 CE
Billon Antoninianus 23mm, 2,87g
Obv : IMP C CLAVDIVS AVG. Radiate, draped and cuirassed bust right.
Rev : ANNONA AVG. Annona standing left, with foot on prow, holding corn-ears and cornucopia.
RIC V online 194
Claudius Gauthicus 268-270 CE
Claudius Gauthicus 268-270 CE
Demetrias, Thessaly 290 BCE
Demetrias, Thessaly 290 BCE
Demetrios Poliorketes 300 BCE
Demetrios Poliorketes 300 BCE
Elaios, Thrace 4th-3rd cent BCE
Elaios, Thrace 4th-3rd cent BCE
Gerostratos of Arados 335/334 BCE
Gerostratos of Arados 335/334 BCE
Kios, Bithynia 345-315 BCE
Kios, Bithynia 345-315 BCE
Knidos, Caria 300-200 BCE
Knidos, Caria 300-200 BCE
Korkyra 300-229 BCE
Korkyra 300-229 BCE
Kyzikos 300-200 BCE
Kyzikos 300-200 BCE
Lebedo-Ptolemais, Ionia 375-350 BCE
Lebedo-Ptolemais, Ionia 375-350 BCE
Megara 3rd-2nd cent BCE
Megara 3rd-2nd cent BCE
Pasikrates of Soloi 330-310 BCE
Pasikrates of Soloi 330-310 BCE
Phaselis, Lycia 250-221 BCE
Phaselis, Lycia 250-221 BCE
Thebai, Thessaly 302-286 BCE
Thebai, Thessaly 302-286 BCE
Thedosius I 379-383 CE
Thedosius I 379-383 CE