Prancing
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In Greek coinage, the depiction of a prancing horse was often associated with particular deities or cities known for their equestrian prowess. For instance, coins minted in regions like Thessaly, where horses were a central part of culture, often featured prancing horses to represent the area’s equestrian skill and its connection to the gods. Thessaly was known for producing excellent cavalry, and the prancing horse on coins celebrated this martial and cultural tradition. The depiction of a horse in motion could also symbolize the divine favor of gods associated with horses, like Poseidon, who was not only the god of the sea but also of horses, and represented the connection between the land, animals, and the divine.
In Roman coinage, the prancing horse was similarly used to communicate power, victory, and divine favor. Roman emperors and generals often commissioned coins with prancing horses to commemorate military victories, particularly those related to chariot races or cavalry triumphs. These coins would serve as propaganda, emphasizing the ruler’s strength and ability to command powerful forces. A prancing horse on a coin could also evoke the image of the emperor as a leader who was in full control, guiding his “horse” of state with confidence and skill, further reinforcing his image as both a military and political force.
Atarneos, Mysia 400 BCE
Audoleon 315-28 BCE
Bizye, Thrace 405-387 BCE
Derdas II ca 380 BCE
Gyrton, Thessaly 299-200 BCE
Kelenderis, Cilicia 350 BCE
Koinon of Macedon 244-249 CE
Krannon, Thessaly 4th century BCE
Kyme, Aeolis 250-200 BCE
Kyme, Aeolis 250-200 BCE
Magnesia ad Maeander ca 350-300 BCE
Magnesia ad Maeandrium, Ionia ca 350-190 BCE
Maroneia, Thrace 398-346 BCE
Nikomedes I 280-250 BCE
Olosson, Thessaly 400-350 BCE
Pelinna 4th-early 3rd centuries BCE
Phakion, Thessaly ca 300-200 BCE
Phalanna, Thessaly 325-300 BCE
Sicily, Kainon 340-330 BCE
Skotussa, Thessaly 3rd century BCE
Thessalonika, Macedon 187-167 BCE
