Cornucopiae

View All Tags


The cornucopia, also known as the “horn of plenty,” was a powerful symbol in ancient Rome, representing abundance, prosperity, and the blessings of a bountiful harvest. The cornucopia was typically depicted as a large, overflowing horn filled with a variety of fruits, grains, and flowers, symbolizing the wealth of the land and the favor of the gods. This emblem was commonly used in Roman art, coinage, and religious iconography, and it conveyed the idea of endless resources, good fortune, and divine generosity.

In Roman coinage, the cornucopia was often used to highlight the prosperity of the state or the emperor’s reign. It was a frequent motif in times of peace and economic stability, as it communicated the idea that the empire was flourishing and that its citizens were enjoying the fruits of a prosperous era. The cornucopia often appeared alongside other symbols of imperial power, such as the globe or scepter, reinforcing the connection between political stability and material wealth. For example, it was used on coins issued by emperors to celebrate military victories, successful campaigns, or the restoration of order following periods of unrest.

The cornucopia also had religious significance in Roman society. It was associated with the goddess Abundantia, the personification of abundance and prosperity, and with Fortuna, the goddess of luck and fortune. In temples and public monuments, the cornucopia symbolized the divine gifts of the earth, which were seen as essential to the well-being of the Roman people. It was often depicted in conjunction with these deities, emphasizing the relationship between divine favor and earthly wealth. The cornucopia was a symbol of blessings granted by the gods, particularly in terms of agricultural abundance, which was vital to the Roman economy and the sustenance of the population.

In addition to its association with material wealth, the cornucopia also carried connotations of hope and generosity. It served as a reminder that prosperity was not a static achievement but something that needed to be nurtured, shared, and celebrated. The overflowing nature of the cornucopia conveyed the idea that abundance was a gift to be distributed, fostering a sense of social responsibility and the duty to ensure the well-being of the wider community.

Amaseia, Pontos 120-100 BCE
Cornucopiae | Dioscuri | Perseus | Pilei
Pontos, Amaseia
Struck under Mithradates VI. Circa 120-100 BCE
AE 17mm 4.00g
Obv: draped and winged bust of Perseus right
Rev: ΑΜΑΣ – ΣΕΙΑ[Σ], cornucopia between pileoi of the Dioskouroi
SNG BM Black Sea 1046-7; HGC 7, 225
  • Amaseia, Pontos 120-100 BCE
    Amaseia, Pontos 120-100 BCE
  • Antoninus Pius 138-161 CE
    Antoninus Pius 138-161 CE
  • Aquilia Severa 220-222 CE
    Aquilia Severa 220-222 CE
  • Aretas IV w Shaqilat 9 BCE - 40 CE
    Aretas IV w Shaqilat 9 BCE – 40 CE
  • Caracalla 198-217 CE
    Caracalla 198-217 CE
  • Caracalla 212 CE
    Caracalla 212 CE
  • Claudius Gauthicus 268-270 CE
    Claudius Gauthicus 268-270 CE
  • Laodikeia ad Lycum, Phrygia 133-67 BCE
    Laodikeia ad Lycum, Phrygia 133-67 BCE
  • Laodikeia ad Lycum, Phrygia 158-138 BCE
    Laodikeia ad Lycum, Phrygia 158-138 BCE
  • Licinius 308-324 CE
    Licinius 308-324 CE
  • Lucius Verus 161-169 CE
    Lucius Verus 161-169 CE
  • Mattathias Antigonos 40-37 BCE
    Mattathias Antigonos 40-37 BCE
  • Maximian 295-296 CE
    Maximian 295-296 CE
  • Maximinus Daia 312 CE
    Maximinus Daia 312 CE
  • Maximinus I Thrax 235-238 CE
    Maximinus I Thrax 235-238 CE
  • Nerva 97 CE
    Nerva 97 CE
  • Otacilia Severa 244-249 CE
    Otacilia Severa 244-249 CE
  • Ptolemy IV 222-204 BCE
    Ptolemy IV 222-204 BCE
  • Salonina 257-258 CE
    Salonina 257-258 CE
  • Septimius Severus 193-211 CE
    Septimius Severus 193-211 CE
  • Severus II 305-306 CE
    Severus II 305-306 CE
  • Tacitus 275 CE
    Tacitus 275 CE
  • Vabalathus 272 CE
    Vabalathus 272 CE
  • Victorinus 269 CE
    Victorinus 269 CE
  • Volusian 251-253 CE
    Volusian 251-253 CE