Cornucopiae

View All Tags


The cornucopia, also known as the “horn of plenty,” was a powerful symbol in ancient Rome, representing abundance, prosperity, and the blessings of a bountiful harvest. The cornucopia was typically depicted as a large, overflowing horn filled with a variety of fruits, grains, and flowers, symbolizing the wealth of the land and the favor of the gods. This emblem was commonly used in Roman art, coinage, and religious iconography, and it conveyed the idea of endless resources, good fortune, and divine generosity.

In Roman coinage, the cornucopia was often used to highlight the prosperity of the state or the emperor’s reign. It was a frequent motif in times of peace and economic stability, as it communicated the idea that the empire was flourishing and that its citizens were enjoying the fruits of a prosperous era. The cornucopia often appeared alongside other symbols of imperial power, such as the globe or scepter, reinforcing the connection between political stability and material wealth. For example, it was used on coins issued by emperors to celebrate military victories, successful campaigns, or the restoration of order following periods of unrest.

The cornucopia also had religious significance in Roman society. It was associated with the goddess Abundantia, the personification of abundance and prosperity, and with Fortuna, the goddess of luck and fortune. In temples and public monuments, the cornucopia symbolized the divine gifts of the earth, which were seen as essential to the well-being of the Roman people. It was often depicted in conjunction with these deities, emphasizing the relationship between divine favor and earthly wealth. The cornucopia was a symbol of blessings granted by the gods, particularly in terms of agricultural abundance, which was vital to the Roman economy and the sustenance of the population.

In addition to its association with material wealth, the cornucopia also carried connotations of hope and generosity. It served as a reminder that prosperity was not a static achievement but something that needed to be nurtured, shared, and celebrated. The overflowing nature of the cornucopia conveyed the idea that abundance was a gift to be distributed, fostering a sense of social responsibility and the duty to ensure the well-being of the wider community.

Amaseia, Pontos 120-100 BCE
Cornucopiae | Dioscuri | Perseus | Pilei
Pontos, Amaseia
Struck under Mithradates VI. Circa 120-100 BCE
AE 17mm 4.00g
Obv: draped and winged bust of Perseus right
Rev: ΑΜΑΣ – ΣΕΙΑ[Σ], cornucopia between pileoi of the Dioskouroi
SNG BM Black Sea 1046-7; HGC 7, 225
Amaseia, Pontos 120-100 BCE
Amaseia, Pontos 120-100 BCE
Antoninus Pius 138-161 CE
Antoninus Pius 138-161 CE
Aquilia Severa 220-222 CE
Aquilia Severa 220-222 CE
Aretas IV w Shaqilat 9 BCE - 40 CE
Aretas IV w Shaqilat 9 BCE – 40 CE
Caracalla 198-217 CE
Caracalla 198-217 CE
Caracalla 212 CE
Caracalla 212 CE
Claudius Gauthicus 268-270 CE
Claudius Gauthicus 268-270 CE
Laodikeia ad Lycum, Phrygia 133-67 BCE
Laodikeia ad Lycum, Phrygia 133-67 BCE
Laodikeia ad Lycum, Phrygia 158-138 BCE
Laodikeia ad Lycum, Phrygia 158-138 BCE
Licinius 308-324 CE
Licinius 308-324 CE
Lucius Verus 161-169 CE
Lucius Verus 161-169 CE
Mattathias Antigonos 40-37 BCE
Mattathias Antigonos 40-37 BCE
Maximian 295-296 CE
Maximian 295-296 CE
Maximinus Daia 312 CE
Maximinus Daia 312 CE
Maximinus I Thrax 235-238 CE
Maximinus I Thrax 235-238 CE
Nerva 97 CE
Nerva 97 CE
Otacilia Severa 244-249 CE
Otacilia Severa 244-249 CE
Ptolemy IV 222-204 BCE
Ptolemy IV 222-204 BCE
Salonina 257-258 CE
Salonina 257-258 CE
Septimius Severus 193-211 CE
Septimius Severus 193-211 CE
Severus II 305-306 CE
Severus II 305-306 CE
Tacitus 275 CE
Tacitus 275 CE
Vabalathus 272 CE
Vabalathus 272 CE
Victorinus 269 CE
Victorinus 269 CE
Volusian 251-253 CE
Volusian 251-253 CE